In my previous 30 by 30 post, I wrote about making the most of time and every second being a new beginning. In day three of this series, I want to highlight a lesson which can take you outside of time, to a certain extent. […]
Sometimes it’s easy to get swept away in the hustle and bustle, and the excitement of constant activity too. Sometimes it’s soothing just to relax, no plans, no deadlines. How many of us are guilty of forgetting that?
From Friday evening to Sunday night, the only plan Matt and I had were “getting off the grid”. Letting go of being live wires. A weekend in North Yorkshire was on the cards (as were other board games, although I think we only managed a few rounds of Connect Four). Ok, so Friday evening didn’t begin completely chilled. The SatNav took us directly through Leeds and out via Otley. Not the most straightforward route, though thankfully the Leeds roads were quiet.
In a way it added an extra layer of pleasure when we reached our destination finally, as we couldn’t wait just to relax. I cooked up a simple bruschetta with some tomatoes, onion, mushrooms, garlic and basil, plus slices of heated halloumi and dollops of balsamic glaze. We may have washed it down with a couple of bottles of prosecco…
Saturday was where it was at! We’ve had some brilliant days out visiting open gardens and National Trust estates over more recent months, and I would never tire of that. However, both of us love country walks, and that’s certainly what we got. Nothing revives the soul quite like a stroll over hill and dale, admiring the spectacular scenery.
Our walk took us out from Pateley Bridge, up the hill along a stretch of the Nidderdale Way and through small settlements such as Blazefield, Low Laithe and Glasshouses, before we returned to Pateley for a couple of pints at The Royal Oak pub.
Our halfway point, as such, was Brimham Rocks, a National Trust location. It’s all about the landscape. Amongst the trees, heather and wildflowers stand remarkable rock formations, ancient and sometimes mind-boggling in their anti-gravity feats. Check out Idol Rock, for example!
There’s a lovely little gift shop with a gallery space up above, and a small coffee bar in a separate outbuilding.
By the time we returned to our lodgings (for yet more prosecco), we’d walked around 10 miles. I have to say, it felt further, but I put that down to the constancy of our climbs. Unlike our usual walking weather, the sky was good to us, with just the occasional short shower and plenty of warm sunlight.
This clambering clematis, struggling for freedom from its overgrown garden confines, caught my eye…
…as did the spontaneity of being able to hire a llama companion in Nidderdale…
…and how plainly pretty is this row of terrace houses?
After a long day and a late night of, whoops, more boozing, Sunday morning was a welcome lazy lie-in. We followed this up with a steady jaunt across to Grassington for lunch in a quaint little tearoom/bistro called The Retreat. Its staff were absolutely some of the friendliest and most positive ever encountered, and we had the added bonus of chatting briefly in the courtyard with an Australian lady touring Europe and the U.K. with her partner. The food was delicious. I’d ordered a goats cheese and tomato panini with chips and salad, while Matt had a vegetarian lasagne which looked and smelt fantastic. Apparently it tasted just as great! Highly recommended to anybody visiting Grassington.
We followed up our lunch with a quick stop to glance in the unassuming entrance to Stump Cross Caverns, describing itself as a 30-40 minute walk through primordial caverns bedecked with fossilised remains. We had never heard of the place and were tempted to go in, but time was ticking on and we had to get back to Pateley Bridge… for scones! I’m adding the caverns to my wish list for a future adventure.
Where did we eat scones? At The Old Granary, a tearoom which gave you the impression it hadn’t altered in years and years and years. Nor would one want it to. The scones were exquisite too. I loved the fact they had a Gluten Free options – something I’m much more aware of these days as a colleague and her daughter are coeliac and are often on the lookout for suitable eateries.
Sunday evening was, for me, as brilliant a part of the weekend away as the long walk on Saturday afternoon. Why? Because Matt and I had a leisurely drive out towards the moors past Gouthwaite Reservoir, in time to watch the sky meld from pale blue through pink and purple to dusky deep hues. We came across a gorgeous little village called Ramsgill with its stately hotel…
…could see out towards Middlesbrough from one hilltop and gaze on a sea of lavender heathers up there…
…and stopped for a nippy nighttime walk around the lofty village of Middlesmoor.
Such a brilliant weekend, I didn’t want to head to bed on Sunday night, but work beckoned the next day and thus an early early start…
I hope you all had a lovely, relaxed weekend with some “off the grid” time. Now you’re back on it, feel free to subscribe to my blog or follow my social media =D
Picture the scene: rolling hills in various shades of green, embracing a soft valley as its river gently meanders through. Trees stand here and there as sentinels at their various posts. Their charge? A magnificent golden edifice hundreds of years old.
The location? Chatsworth House, Derbyshire. It’s a place I always slightly took for granted when younger, not growing up all that far from it. I could never quite understand the reverence shown around the rest of the nation.
Strolling into its grounds on June 7th 2017, I now comprehended. At the building’s feet lay the bubbling spring of attendees to the inaugural RHS Chatsworth Flower Show, and boy was I overjoyed to finally have another RHS show happening “up north”. I took Matt along with me to experience the spectacle.
The idea behind the show was pioneers in design, reflected in the modern day interpretation of Joseph Paxton’s long-gone Great Conservatory (the centrepiece of the show, if Chatsworth House didn’t completely steal the limelight) and embedded in the naturalistic landscape crafted by Capability Brown. Along from the show’s entrance gates were the extraordinary and somewhat extravagant free form gardens. I have to confess myself not au fait with these; I like my designs more traditional and down to earth, like my architecture. I rarely like to analyse a garden, preferring simply to soak in its beauty. The studded dinosaur skull I really did not get. More a failing on my part, I suppose.
The show gardens, though few in number and for the most part smaller in dimension than Chelsea, were much more up my street. The IQ Quarry Garden, designed by Paul Harvey-Brooke’s, won Best Show Garden and a Gold medal, although it was not my favourite. I loved the more planted up end of the space, but am no great fan of metal objets d’art or walls. Sorry.
I liked the whimsy and wildness of the Belmont Enchanted Gardens, but did not echo the judges’ sentiment of it warranting a Gold medal, and the wooden spiral staircase in its centre was a design piece too far for me. Pointless and rather distracting, and I overheard quite a few others say the same.
I didn’t much love the Moveable Feast garden either, yet have to admit that I felt the concept was inspiring and important. It was the grey plastic planters that just didn’t float my boat. Sadly, I found the inflatable Great Conservatory a letdown as well. It all appeared a bit giant-kids’-party-setup to me… Maybe the central “paddling pool” didn’t help…
My top three gardens on display were right next to one another. The Cruse Bereavement Care ‘A Time for Everything garden’ had an eye catching range of foliage colours and forms, flowing around the central stone wall and water seating area. Next up was ‘Just Add Water’ by Jackie Sutton (or is it Knight? I’m a little confused). Rockeries aren’t my cup of tea, but the addition of water to enliven the sandstone and naturalistic perennials to soften the construction really won me over. Thirdly was the ‘Experience Peak District & Derbyshire’ garden designed by Lee Bestall: a brilliant amalgam of the region surrounding Chatsworth, comprising its cattle, trees and wildflowers, haa-haas and neoclassical elements of Derbyshire stately homes’ cultivated corners. It also played with perspective subtly yet cleverly – you had to see from both ends to really appreciate the design.
We passed Adam Frost and Joe Swift on a couple of occasions outside, and we then headed on over the blossom-bedecked temporary bridge to seek out the floral marquees and perhaps Carol Klein.
Well we found the marquees – and they did not disappoint – although sadly Carol was nowhere to be seen. No time to dwell on this anyway, as there was simply so much to take in undercover and time was swiftly slipping away. I was determined to leave with something, and my plant of choice was the Dahlia ‘Karma Irene’, whose magnificent, flamboyant colour on the display stand just drew me in immediately. No flowers as yet in my specimens, however!